The study of rock music is a young branch of music history, and the styles that have evolved over the roughly 60 years of rock's existence in many nations around the world are almost too numerous to identify. Books from authors began to emerge in the Sixties by authors like Lillian Roxon, Paul Williams, Greg Shaw, and Ralph Gleason. Many others have come along through the decades, but identifying changes in styles is not always as easy as it sounds. The thought occurred to me that by taking a rock music standard and tracing how different people from around the world recorded it, we could see how rock evolved through the years.
Some years ago, Rhino Records did a cd entitled The Best of Louie Louie: The Greatest Renditions of Rock's All Time Song, which, if you know the old Rhino Records, was another perfect expression of their humorous and sometimes twisted sense of humor about music. With everyone from the Rice University Marching Band to Lee Dantz and His Orchestra included, a listener got the sense of just how embedded that song is in our popular culture. It is unusual to collect versions of the same song by different artists, but we all have our favorites. One of mine is Sea Cruise, that anthem of New Orleans and points south into the Caribbean. My dad used to buy used 45 rpm singles for me from a rack jobber to play on my little Capitol record player, and the one that got the most play besides The Beach Boys was Sea Cruise. Originally performed by Huey "Piano" Smith and the Clowns, Huey wrote the song and arranged it. The song has an undeniable drive and charm to it that has been the reason so many other artists have recorded it through the years. The bass line is a classic "stroll" and made the tune easy to dance to and follow time wise. Huey's seminal version may be heard here: Huey Piano Smith-The first version of Sea Cruise
Some years ago, Rhino Records did a cd entitled The Best of Louie Louie: The Greatest Renditions of Rock's All Time Song, which, if you know the old Rhino Records, was another perfect expression of their humorous and sometimes twisted sense of humor about music. With everyone from the Rice University Marching Band to Lee Dantz and His Orchestra included, a listener got the sense of just how embedded that song is in our popular culture. It is unusual to collect versions of the same song by different artists, but we all have our favorites. One of mine is Sea Cruise, that anthem of New Orleans and points south into the Caribbean. My dad used to buy used 45 rpm singles for me from a rack jobber to play on my little Capitol record player, and the one that got the most play besides The Beach Boys was Sea Cruise. Originally performed by Huey "Piano" Smith and the Clowns, Huey wrote the song and arranged it. The song has an undeniable drive and charm to it that has been the reason so many other artists have recorded it through the years. The bass line is a classic "stroll" and made the tune easy to dance to and follow time wise. Huey's seminal version may be heard here: Huey Piano Smith-The first version of Sea Cruise
The Great Huey "Piano" Smith-New Orleans Songwriter and Performer
As often happened in the late Fifties, when Pat Boone, Gale Storm, and other White artists covered R&B chart topping records, Ace Records used Huey's track without is knowledge and added a ship's horn sound to the track and cut the tune with Frankie Ford, who modified the lyrics. This is the version that was the big hit, and the earliest version most people have heard. This lip synched version on American Bandstand (when it was still in Philadelphia) is somewhat corny visually, but uses the track and vocal from the record. It is here: Frankie Ford doing Sea Cruise on American Bandstand
Not to be outdone, Charlie Drake from the UK cut a version in 1959 that borders on rockabilly, or at least Great Britain's version of it. There are some Jordanaire type backing vocals, but the record appears to be a British Music Hall sendup of the song. Judging by the maniacal picture on the version here, the version doesn't seem to be serious: Charlie Drake - Sea Cruise In what was probably the early Sixties, alto sax player Ace Cannon cut an instrumental version with a great bottom to it. Ace hails from Mississippi, and the version here is a classic Sixties instrumental, with a raunchy type of sound. Cannon still has a website where his cds can be purchased. His version: Ace Cannon - Instrumental Version of Sea Cruise
Ace Cannon - Alto Saxophonist Extraordinaire
By now, you can see that the song has been recorded by a variety of artists. To develop a timeline is dicey, but we will try to trace it roughly by the year each version was cut, beginning with Huey "Piano" Smith's effort. The Orlons recorded a killer version of Sea Cruise in 1963. Their version is one of only a small handul of cover versions recorded by women. It is here: The Orlons - Sea Cruise (1963) The Hondells cut a version of Sea Cruise in the mid Sixties that actually had a video made for it. Several Shindig type female dancers come on to the Hondell's boat and turn the song into a party...the version is very good to boot: Hondell's Sea Cruise with vintage 60s video with Shindig girls Also from that period is a version by Johnny Rivers who continued to perform the song well into the Seventies. Rivers was the master of recycling Fifties hits and Sixties tunes, and rarely wrote songs for himself. His version may be heard here: Johnny Rivers - Sea Cruise Not to be outdone, British producer/performer Mickie Most and his Guitar gunslinger, Jimmy Page, do a cool version of the tune with several brief guitar spots by Page throughout the song. Apparently there may be an earlier version by Most, but this one is notable due to Page's presence on the single: Mickie Most (with Jimmy Page) - Sea Cruise
The Orlons 1963 Down Memory Lane Album with Sea Cruise
Speaking of Mickie Most, here is a version of Sea Cruise by Herman's Hermits as produced by Mickie Most. You may recognize the guitar style here, as the guitarist either quotes Jimmy Page's guitar solo on Mickie Most's version of Sea Cruise....or, it incorporates segments of the track cut for Most's version. Take a listen: Herman's Hermits (Produced by Mickie Most) - Sea Cruise The first Ska version was cut by the late Jackie Edwards in 1964 on UK Fontana. The record has the feel of the best of Jamaican music of the time, with Edwards playing off of a nice horn section. Instead of a guitar solo, a trumpet solos here. Edwards' voice recalls Bob Marley, who recorded his early music shortly after this record was cut. Here it is: Jackie Edwards (Ska) - Sea Cruise Checking in from Puerto Rico is Jose Feliciano, with a funky version that recalls the Rhythm and Blues feel of the original from Huey "Piano" Smith. The saxophones get down and dirty as well: Jose Feliciano - Sea Cruise
Jose Feliciano
Another early Seventies version of Sea Cruise was recorded by the late and great reggae pioneer John Holt in 1970. Holt's version shows the change from ska to reggae over the roughly six year period between the version by Jackie Edwards and this version. Here it is: John Holt (reggae pioneer) - Sea Cruise Moving away from the Caribbean and into London, a certain Sun Records veteran by the name of Jerry Lee Lewis recorded a version of Sea Cruise with a crack bunch of British rockers in 1973, resulting in what is probably one of, if not his best album ever...Jerry Lee Lewis - The London Sessions. The version of Sea Cruise here is a rocking tour de force. It is loose enough to be fun, but tight enough to let you know everyone means business. Jerry Lee Lewis - Sea Cruise Continuing in the Southern rock genre, Jerry Jeff Walker did a very fine medley of songs while performing in Texas with an excellent backing band, which may be heard here: Jerry Jeff Walker - Fifties Medley
As styles of music evolved through the Seventies, several stars of the period took a crack at this tune, with two of the best being a version by John Fogerty, and a version by The Beach Boys, produced by Brian Wilson, but left off of the 15 Big Ones album. The Fogerty version appears to be a version on which Fogerty played all of the instruments. It is from his 1975 solo album, which is simply called John Fogerty. John Fogerty Sea Cruise While several of Brian Wilson's productions for 15 Big Ones were oldies, some of them were more finished sounding than others. The version of Sea Cruise by The Beach Boys, with the late Dennis Wilson on lead vocal, was left off the album in favor of another oldie that Dennis sang lead on, In the Still of the Night. The version of Sea Cruise heard here was not released until it popped up as a bonus track on an early Eighties compilation entitled Ten Years of Harmony. Here is this version: The Beach Boys (featuring Dennis Wilson) - Sea Cruise
Dennis (left) and Brian Wilson 1965 Summer Days Photo Session
As Sea Cruise entered the late Seventies, Rory Gallagher did a blues boogie version that recalled the song's New Orleans origin. This version burns for roughly 4 and a half minutes, and the remainder of the clip is an unending crowd cheer that seems to grow louder every second. Here is this version: Rory Gallagher at Rockpalast - Sea Cruise Also in the late Seventies, Robert Gordon and Link Wray of "Rumble" fame cut a version of Sea Cruise which they perform live on this clip. Wray burns through the tune, with Robert Gordon on lead vocal. The version is notable for Wray's performance: Robert Gordon with Link Wray - Sea Cruise Oldies band Showaddywaddy cut a version which recalls the Fifties. The production here mirrors the saxes on the Frankie Ford version: Showaddywaddy - Sea Cruise At times this version sounds vaguely like Spector's Wall of Sound.
Sea Cruise never lost its luster as a mainline favorite of bands worldwide. Even Bruce Springsteen and the E Street Band were known to perform it, albeit very few times. This is a recording from Denver's spectacular Red Rocks Amphitheater in 1981, from the audience. I am including it here because of its rarity: Bruce Springsteen & E Street Band - Sea Cruise (live) Former and current Eagle Glen Frey cut Sea Cruise on his 1983 solo album. The version is somewhat sterile, but has a nice vocal. It may be found here: Glen Frey - Sea Cruise King Yellowman in 1984 recorded a formidable version of Sea Cruise in the reggae manner with an excellent beat and sensual approach. The version is simply exquisite: King Yellowman - Ohh We/Sea Cruise
King Yellowman - Jamaica's Own Sea Cruiser
In 1982, Mr. American Pie himself, Don McLean, cut a version of Sea Cruise for his Believers album. This recording is somewhat twangy... Don McLean - Sea Cruise The Specials cut an instrumental version of Sea Cruise for John Peel in 1980. The version is cool.... The Specials- Sea Cruise (John Peel Sessions) 1980 As with most rock and roll era standards, Sea Cruise had taken on a life of its own, with versions from virtually every type of American music, and several other world styles as well. This trip through 45 years of Sea Cruise ends with a few more versions you need to hear. The first is by Dion Di Mucci from the early Nineties. It is one of my favorites. He brings the tune home to rock and roll, after its long journey around the world. Here it is: Dion - Sea Cruise (from 1992) The second is a nice skabilly version by Roddy Radiation and the Skabilly Rebels. If you listened to the John Peel Session with The Specials doing Sea Cruise above, this band includes Roderick Byers from The Specials. Here is their Sea Cruise, with Steamboat Willie, Disney's first cartoon on the screen: Roddy Radiation and the Skabilly Rebels -Sea Cruise The third and last unheard version of Sea Cruise dates from 2005, and is performed by Amsterdam Electronic Exotica artists Sputnik. This version only vaguely resembles the melody we know from so many versions, but it ends with the familiar safety buoy ringing during the end of the song. Here it is: Sputnik - Sea Cruise
There you have it, 45 years of what has become a rock standard. While not covered as often as some other rock music tunes, by now it is apparent that Sea Cruise has developed a life of its own. I have not included recent cover versions, because the last 10 years have seen a flurry oldies cruises with older rock stars serenading older Boomer patrons. The magic of Sea Cruise, and songs like it, is now found in the emerging indie genre, and in the searching of newcomers to rock music. These new fans support their favorite artists, who market their music to these listeners, independent of the once dominant major labels. Long may Sea Cruise live, and songs like it from through the years.
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