Thursday, July 23, 2015

Carlsbad Caverns-New Mexico's Natural Wonder by Peter Reum

The Southwestern United States is mainly known for the Indigenous people, past and present, the dearth of fresh water in rapidly growing cities, and perhaps for the large distribution of defense related organizations that are headquartered there. There are federal sites under strictly enforced entry regulations, where trespassers will be shot if discovered inside the boundaries of such reservations. The White Sands Missle Range alone is larger than several of the Eastern United States. The large number of National Parks and Monuments in New Mexico, Arizona, and West Texas are unique among the sites in the National Park System for their diversity and Pre-Columbian origin.

The drive to some of these National Parks and Monuments is long, and in some cases, far off the Interstate Highway System grid. New Mexico and Arizona are fortunate to have two natural wonders that are as spectacular as any others in the world. Grand Canyon and Carlsbad Caverns National Parks are one-of-a-kind wonders that attract visitors from around the world. Carlsbad Caverns is situated in the Guadalupe Mountains of Southeastern New Mexico and West Texas, and is a Park that takes a special effort to get acquainted with. These mountains are the remnant of a large reef of what was once a large inland sea. This feature is most visible at the Guadalupe Mountains National Park, some 70 miles south of Carlsbad Caverns.


Texas's Highest Point-El Capitan Peak Guadalupe Mountains National Park


The foothills of the Guadalupes are the home of the spectacular caverns grouped under the name Carlsbad Caverns National Park. The main cave, Carlsbad Cavern, is situated about 27 miles south wet of Carlsbad, New Mexico, a great place to use as a base for exploration of the region. The caverns include a few caves requiring Park Ranger guiding services. The main cave was once a mine for bat feces, known as an excellent base for fertilizer. The main cave may be accessed by riding an elevator some 800 feet down to the entrance to The Big Room, the largest single cave chamber in the Western Hemisphere, or by hiking to the main cave entrance, a short distance from the visitor center. In the summer Mexican Freetail Bats enter the cave at sunrise and leave at sunset, making for an experience that is spectacular, if a bit scary.



Natural Entrance to Carlsbad Cavern


Park rangers await potential cavern hikers at an amphitheater near the Natural Entrance and inform people that the 1.7 mile walk is a strenuous hike, due to the fact that the trail, not suitable for wheelchair users descends the equivalent of walking down 830 feet of stairs, the equivalent of most of the Empire State Building. Despite the warning, this overweight hiker and his family elected to do the hike. The first quarter mile of the trail is incredibly steep and reeks of bat guano. The combination of those facts probably dissuades some folks from carrying on, but not our family. We kept going, and the trail got darker, and the reward was a series of beautifully lit cave formations that are a marvelous revelation for anyone who has not spent lots of time spelunking. Here are a few to whet your  appetite....












These photos are shot by various persons who followed the main trail from the Natural Entrance. The sheer scale and variety of formations stupifies the viewer as one vista closes and another opens. The temptation is to rush through the cavern, due to the number of hikers who are in better physical condition, and who walk through at a brisk pace. For those of us who are not as fit, there are numerous benches and other places along the main trail to stop, rest, catch your breath, and enjoy the incredible formations. Another tip for those who don't regularly hike is bring water. The walk through the Main Entrance to the Big Room Junction is rigorous. You may want to start in the morning, when your legs are fresher, and your  morning meal is digested. The cavern temperature is brisk, and a light windbreaker may help.


When you finally get to the intersection of the Main Entrance trail and the Big Room Trail, there are restrooms and a lunch room to refresh yourself and use the facilities. Some folks may be tempted to ride the elevator to the Visitor Center at this point, and that may be a good choice if you are simply beyond exhaustion. For the rest of us, The Big Room awaits. The chamber known as the Big Room is so large that one is hard pressed to get a perspective on its size. Suffice to say, it is eight plus acres of cavern, and the whole trail through it is a mile long and takes an hour to traverse. As mentioned above, the Big Room is the largest known chamber in the Western Hemisphere. Here are some pictures...to gain perspective, I have added a few photos with people appearing in them.









Big Room-Carlsbad Caverns National Park (previous 6 photographs)


Again, taking this relatively level walk slowly I highly recommend. The water you drink will help keep leg muscles from cramping up as badly as they might otherwise. The use of photography is governed by certain regulations which must be observed. Part of the Big Room walk is okay for wheelchair and scooter users, but consulting with a ranger is highly recommended.


No mention of Carlsbad Caverns is complete without a discussion of the amazing cave known as Lechuguilla Cave. It was discovered in the 1970s by spelunkers who noticed the cave "breathing" as they walked by. Lechuguilla Cave is the seventh longest  cave in the world, and is some 1604 feet deep. The 1980s brought  detailed mapping of the cave and recognition of the unique formations of the cave led to it being set aside as an underground wilderness, not open to casual visitors. Lechuguilla Cave's dimensions make the Carlsbad Cavern a second place finisher for size and features. The total length of Lechuguilla Cave is 134.6 miles (216.6 km). Here are some photographs from Lechuguilla Cave.
















Photographs from Lechuguilla Cave-Carlsbad Caverns National Park-New Mexico USA


Finally, for the intense wild people, hiking and camping is allowed at Carlsbad Caverns National Park. Permits are required. The best seasons are fall or spring. The numerous poisonous animals that make the back country their home are in their lairs, and one is unlikely to encounter rattlesnakes, scorpions, or other unpleasant critters. Here are a few photos of the desert in the Park...





Scenes from the Carlsbad Caverns National Park backcountry


The closest airports to Carlsbad Caverns are the Albuquerque Sunport and El Paso International Airport. As may be seen from the map below, Carlsbad Caverns National Park is quite far away from major cities.



Map of Carlsbad Caverns National Park-New Mexico USA



Location of Carlsbad Caverns National Park-New Mexico USA


Carlsbad Caverns National Parks is designated a World Heritage Site and visitation details may be found here: Carlsbad Caverns National Park Website


Don't pass up the chance to visit a true wonder of the world.....









Friday, July 17, 2015

Those Were the Summer Days and Summer Nights by Peter Reum

Those Were the Summer Days and Summer Nights by Peter Reum

In 1965, the Los Angeles music scene was evolving at a pace unprecedented in West Coast history. Thanks to the studio musicians now known as the Wrecking Crew, hit after hit from the many studios in the LA area made it the recording capitol of the world. In addition to the numerous groups from LA who recorded in there, acts such as The Rolling Stones, The Who, Simon and Garfunkel, and many more did their recording in Gold Star, RCA, Columbia, Western, and other Southern California area studios. Brian Wilson's producing was known as the pioneering prototype for a new and independent group of musicians who wrote and recorded their own music as they wanted it to sound, without record company influence or control.


USA California Girls Single Picture Sleeve


As with The Beach Boys Today!, Summer Days (and Summer Nights) has a high number of tunes that were placed on singles as either 'A' or 'B' sides. Six of the tracks from the album found a home on USA Capitol 45s in 1965 and 1966. Unlike Today! and other previous Beach Boys' albums, Summer Days had no spoken word segments on it, and even humorous tracks had meanings that remained secrets known only to Brian and a few friends and family members until very recently. The group had dismissed Murry Wilson as their manager early in the Summer Days sessions, and feeling rejected, he had taken to trying to find an act he could write for and manage that would compete with The Beach Boys style and lyrical subject matter. Hence, The Sunrays were born.


Help Me Rhonda was the lead off single from the album, and went to Number 1 on national singles charts, showcasing Alan Jardine doing his first lead vocal on a Beach Boys single. The vocal sessions for the single were painful, and many listeners have heard the session tape, a classic, yet jarring reminder of Murry's jealousy of Brian's talent and production ability. Despite the drama, the single itself is one of The Beach Boys' finest, with Kiss Me Baby from the Today! album as the flip side. Help Me Rhonda/Kiss Me Baby was released nearly three months before the Summer Days (and Summer Nights) album debut on June 28, 1965, and served as somewhat of a final highlight of Today, and early preview of Summer Days.


What on the surface appeared to be another "Sun and Fun" themed album also held a number of strong feelings for Brian about his family that he cloaked in either humor or girl/guy lyrical content so as not to have his true feelings be known to his listeners. Brian had a great deal of love for his mother and conflicted feelings for his father, who he loved but also feared. His father seemed to be someone who was very capable of fighting for Brian, Carl, and Dennis when dealing with people business wise, yet was not very capable of encouraging them together or individually with respect to their music. Further complicating the sessions was the recent dismissal, and Murry's having had an affair outside of marriage resulting in acrimonious feelings with his wife and sons.


The Iconic Summer Days and Summer Nights Album Cover


There were a few indications of Brian's contemporary production and musical style influences in 1965 on Summer Days, with Brian again nodding to the Phil Spector production style through his recording of Then I Kissed Her. His admiration of The Beatles surfaced on Girl Don't Tell Me, and Let Him Run Wild showed affection for Burt Bacharach. The Four Freshman were referenced on two Summer Days sessions recordings, And Your Dream Comes True, and the unreleased studio version of Graduation Day. Many listeners also heard a Four Seasons influence on You're So Good to Me.


The first side of Summer Days rocked like no Beach Boys album since the early albums, with The Girl From New York City kicking off the first side. The song has a fine Mike Love lead vocal, with Bruce doing an excellent falsetto vocal above the group. The song is written about the late Lesley Gore, and offers a hint about the rest of the album's sounds. Amusement Parks USA is an early prototype of a Heroes and Villains type of production sound, and although somewhat silly lyrically, shows powerfully Brian's growth as a producer. The song paints a picture in sound, using sound effects creatively throughout the song, which was released in Japan as a single and went to number 3 on their charts.


Then I Kissed Her was released as a single everywhere but the USA while EMI/Capitol was awaiting the much publicized Heroes and Villains single in 1967, breaking a silence of six months on radio with no new Beach Boys single.  The song is a reminder of Brian's love of Phil Spector's Wall of Sound, and features an exceptionally wonderful Alan Jardine lead vocal. The Beach Boys played on this version. Salt Lake City was released as a single in 1965 to promote an event sponsored  by the Salt Lake City Downtown Merchants Association. Pressed with a special yellow label and given out in a special envelope, today it is one of the most collectible Beach Boys records in the world. Only 1000 were made.  The musical context of the tune is made more memorable by use of an organ as a percussion instrument. Mike Love's lead here is very well done.


Summer Days Photo Session Outtake


Girl Don't Tell Me has a strong John Lennon influence, and again shows how Brian had listened to and assimilated many of The Beatles' chord patterns and vocal inflections. This tune shows off Carl Wilson's love for The Beatles, and he carries off the lead vocal marvelously. Carl was probably The Beach Boys' most ardent Beatle fan, and had posters of their group on his bedroom wall during the initial British Invasion. Help Me Rhonda concludes side one of Summer Days, and is easily the equal of side one of The Beach Boys Today!, with new production techniques throughout, mainly due to Brian not having to tour.

The introduction to California Girls is iconic, and has been used by the group as an opening concert trademark for years due to the immediate recognition those heavenly chords generate. The track itself has some interesting jazzy discordant moments, and may be heard as a bonus selection on the two-for cd reissue that Capitol released that included Stack O Tracks. Let Him Run Wild is a letter-in-sound from Brian to Audree, his mother, upon learning that his father had had an affair. The lyrics reflected Brian's feelings at the time, and his commitment to his mom as oldest son was that he would look after her because his father wouldn't. The song swings in a jazzlike manner, and has an emotional lead vocal from Brian that would touch a listener even if he hummed it. Despite Brian's known dislike of his own lead vocal, Dennis Wilson believed this song to be emblematic of Brian's growth in the studio as a producer.


You're So Good To Me served as the 'B' side to the USA Sloop John B single in March 1966, and the bassline's chord structure holds some  minor similarities to Salt Lake City in places. Mike's bass backing vocal on this tune is one of his finest, along with Brian's use of organ again as a rhythm instrument. The song is a regular on setlists of Brian's concerts throughout the last 15 years.
Summer Means New Love is a lovely but short instrumental that foreshadows Brian's work on Pet Sounds quite strongly. Strings add warmth to the lead guitar, which is tasteful and understated. The song is a nice tune in the genre that was probably begun by Theme From a Summer Place.


I'm Bugged At My Old Man is a Beach Boys Blues number, and while sung tongue-in-cheek, is Brian's way of telling his father that dad is out of control. There is a quality here that somewhat imparts a feeling of Brian saying "if you only knew what I am really doing...."  Brian had begun a friendship with  Lorren Daro, who was introducing him to recreational marijuana and LSD. Murry, who was somewhat inept regarding family relationships and their subtleties, probably never realized he was being mocked. And Your Dream Comes True is the perfect ending to a near perfect 1965 rock album, alluding to the idea of becoming an adult, being free, and having the chance to chase your dreams without interference from meddling elders.


Summer Days Cover Session Outtake


Like The Beach Boys Today!, and several other Brian Wilson produced albums from the Sixties, Summer Days (and Summer Nights) earned an RIAA Gold Record Award in 1965, and cemented The Beach Boys as the most consistent best selling American album group of that decade. As the second of a trio of very strong albums, omitting Beach Boys Party, the growth of the group as a musical juggernaut was very impressive.


The outtakes from the first half of 1965 are a mixed bag. EMI/Capitol have released an alternate version of Help Me Rhonda, as well as the lovely studio version of Graduation Day, along with a track with backing vocals done for Sandy/Sheri She Needs Me. A lead vocal was done by Brian in the 1976-77 period, with the vocal being somewhat raspy and out of place. The tune was recut in 1998 with new lyrics by Carole Bayer Sager. That version turned up by Brian on his Imagination solo album.  Finally, an alternative version of Let Him Run Wild was also recorded, which, while quite engaging, was not as charming as the released version on Summer Days. All of these recordings are insightful for the listener, in that many of the versions are more busy and ornate than the versions on Summer Days.


Brian's internal intuition seems to have guided him throughout the time he produced The Beach Boys to keep things simple sounding, even if they are really quite involved and complex. It is those very instincts that bring new listeners into his orbit, generation by generation.


Text copyright 2015 by Peter Reum-All Rights Reserved







Tuesday, July 14, 2015

Finding the Light: The Beach Boys Elope to CBS by Peter Reum

Finding the Light: The Beach Boys Elope to CBS by Peter Reum

From their earliest time together, The Beach Boys' relationship with Warner/Reprise Records had had its ups and downs. Sales for 15 Big Ones had given The Beach Boys some breathing room with Reprise, especially with Brian's interest in writing songs returning to a degree, although he was averse to producing.  At that time, the group had Brother Studios as a place to experiment with sounds they heard in their heads, and Brian showed interest in working alone and cutting first versions of songs he had written during and after the first episode with Eugene Landy. Although Brian did not enjoy producing, he found the process of putting his musical ideas on tape rewarding.

The Beach Boys Love You was released in April of 1977, and it was an album that was well received amongst Rock Music critics but left  many long time Beach Boys followers flummoxed. To this day, it is the single Beach Boys album that is most debated among long time fans. The group's contract with Warner/Reprise had one album left to be submitted for release after Love You, and Warner/Reprise were thought to be contenders for a new agreement with the group after the last album on the old contract was released. Brian's songs had dominated The Beach Boys Love You, and in the interim, Dennis Wilson's Pacific Ocean Blue had outsold it. The Beach Boys were approached by CBS/Caribou, with the idea of moving the entire group over to Caribou. The group was asked to play a live concert in 1977 in London after signing with CBS/Caribou, and the group did so.



The new agreement with CBS was not kept confidential, and Reprise was left with no hope of signing the group and being owed one last album.  The Beach Boys retreated to the old Parsons College, which had been renamed Maharishi International University in late 1977, hoping to get the last Reprise album done, so that work could begin on the first CBS/Caribou album, which came to be known as the L.A. Light Album. The last Reprise album, named after the college where it was recorded, was The M.I.U. Album,  and it had some first rate compositions and performances, but was not heavily promoted by Reprise because of their disappointment with the CBS/Caribou signing.

The Beach Boys decided to record part of the L.A. Light Album at Criteria Studios in Miami, amongst many others, where The Bee Gees had cut their best selling albums in the late Seventies. Brian took a shot at producing, but retreated from that responsibility, and asked Bruce Johnston to take over. The group was without many new Brian compositions at the time, and Brian's health had deteriorated after Love You was released. L.A. Light was an album with compositions by every Beach Boy, and while this was wonderful for the group as a whole, CBS/Caribou had hoped for more Brian compositions.



Here Comes the Night was released as the first single in a 7 inch format, timing in at 4'28", backed with Baby Blue. Two years earlier, Bruce Johnston had recorded a disco version of the Chantays' Pipeline, and proposed doing a Beach Boys disco single with Curt Boettcher for L.A. Light. The 12 inch single version was originally issued in an almost 11 minute length, also placed on side 2 of L.A. Light, and issued as a blue vinyl promo record for clubs and FM stations. The initial version of the single was not played as heavily as needed, and a DJ reservice was issued a month after the initial  promotional single, with both the 7 inch and 12 inch versions being shortened. The DJ reservice of the 7 inch single had a 4'28" version backed with a rather well mixed 3'18" version that could have been a hit had it been released first. The 12 inch single was shortened as well, with a 6'43" version and a 9'44" version available for play. The remixed versions were too late to save the single.



Baby Blue was a Dennis Wilson masterpiece that was probably the album's strongest track, with a mournful dirge-like Wagnerian feel that was crystal clear in its meaning. The track was accompanied by a Dennis Wilson lead vocal that dripped with wistfulness. The tasteful Beach Boys backing vocals amplified the song's yearning tone, a story in sound of a relationship loved and lost.



The L.A. Light Album began with a song that Brian and Carl composed in 1974 while the group recorded at Caribou Studios in Nederland, Colorado, Good Timin', backed with Love Surrounds Me as the 'B' side.  Good Timin' was one place where Brian appears on L.A. Light, having cut the track for the song in December 1974 at Colorado's Caribou Studio. The rhythmic keyboard in the background is Brian; although he is also audible in the background vocals with a close listen.  The Surfer Girl introduction is quoted in Good Timin's introduction and on the song's bridge, making the song unmistakeably a Beach Boys tune. Love Surrounds Me is another Dennis Wilson song that shines on L.A. Light.  The track is perhaps a meditation on his relationship with Christine McVie, whose background vocals may be heard on the song's tag, beginning at 2:42 into the song.



In the United Kingdom, a second single was released which became a radio hit, reaching number 6 in the UK singles charts, Lady Lynda b/w Full Sail. Lady Lynda was based on Bach's Jesu, Joy of Man's Desire, and featured a contemporary sounding Beach Boys track, with a fine lead vocal from the tune's co-writer, Alan Jardine. The track had a solid midtempo rock beat with a wall of patented Beach Boys' backing vocals behind it. The tag, an almost acapella segment, was a perfect ending to a great 'A' side. The flip side, Full Sail, was a Carl Wilson composition, with lyrics by Geoffrey Cushing Murray, who also did lyrics for Love Surrounds Me and Goin' South. The song seems to signify the end of a phase of Carl's life and his movement toward a new beginning.


 Perhaps hoping to replicate the Lady Lynda/Full Sail single's success in the UK, CBS/Caribou issued the single as a third US single in the late Summer, but it never charted.

Building on the success of Lady Lynda/Full Sail, the UK CBS/Caribou division issued their third single as Sumahama, a Mike Love composition, backed with Angel Come Home. The single, riding the radio success of the Lady Lynda single, was a modest hit in the UK, topping out at number 37, barely breaking the top 40.


Sumahama was also a hit in Japan, and was a nice touch for the Beach Boys fans in Japan, amongst the most loyal in the world.  The Japanese lyrics in Sumahama were warmly received.  Angel Come Home was the second Dennis Wilson composition in the UK to be a 'B' side off of L.A. Light. The song's lyrics again touched upon loneliness and the desolation it brings.  The song's lyrics seem to communicate a lonely Dennis wrestling with the reality of being left and not wanting to face that truth.



The L.A. Light Album was a disappointment for both The Beach Boys and CBS/Caribou sales wise in the United States. It peaked at number 100 on the Billboard Album Chart. In the UK, it reached number 32, a more respectful showing. The UK CBS/Caribou division issued a fourth single, Good Timin' b/w Goin' South in November of 1979. Goin' South, sung by Carl, seemed to reflect a painful experience that he had recently gone through, and showed him contemplating the old geographical relocation approach to removing whatever was so painful to think about.



L.A. Light's only track that didn't appear on a single somewhere was the remade Shortnin' Bread, a tune originally slated for the unreleased Adult Child album. Brian's piano here is awesome, as is Dennis's foghorn bass vocal.  Made famous by Huddie Ledbetter (Leadbelly), the tune by the late Seventies had taken on a bit of a reputation as a song reflecting times when African-Americans were seen as little more than secondhand citizens in the American South. Brian's arrangement has turned up in several later tunes, and a scalawag on youtube has created the "Shortnin' Bread Suite" piecing together several Brian tunes that have the familiar riff heard on L.A. Light. That "Suite" runs almost 10 minutes long.



For The Beach Boys, the album's US sales numbers were a big disappointment. For CBS/Caribou, the album was also a disappointment. The Beach Boys had created an album that was fairly listenable, but needed a few more Brian Wilson type of tunes that would have fit well on L.A. Light's second side with a shorter version of Here Comes the Night.  The album's strong points were  as great as any Beach Boys music since Endless Summer, but the group was still dealing with the iconic Sixties hits which people purchased on various Capitol reissues which never seemed to stop. As a debut album in a new and lucrative contract, the album fell short of the type of quality the first Reprise contract album, Sunflower, had easily demonstrated. 



Text copyright 2015 by Peter Reum-All Rights Reserved

Saturday, June 20, 2015

Saving a Montana Silverback Gorilla From Rites of Passage by Peter Reum

My family and I have recently gone on a long trip across the USA in our new minivan. My two youngest accompanied us going and coming. Lola is 7 and PJ is 6. At 62, I am the family silverback, and I found out that my days of marathon driving, rolling on through the night, to quote Lowell George, are not possible anymore.























Christina, my long suffering spouse, alternated with me in this 3500 mile drive to Florida, and we were lucky to have Sirius Radio to supplement cds and local radio as we drove. It became apparent early in our trip that occasional "desquirreling" of the kids was absolutely necessary. Those of you with preschoolers and primary school age children will easily relate.






























The first major stop was Devil's Tower in Wyoming. The stop was mostly for "desquirreling," but the kids enjoyed the prairie dog town immensely. Perhaps it takes a squirrel to enjoy a prairie dog. Back in the car, and off to Mount Rushmore. After getting through the Black Hills, we saw Mount Rushmore dramatically lit up in a ceremony done each night. Several Veterans of different Wars and services were honored. Even a diehard anti-war guy like me was moved and grateful for their service.
 


We followed the national weather quite closely, and we always seemed one day ahead of seriously inclement storms. Oklahoma and Texas seemed to be storm magnets. The kids were awed by Montana's own Missouri River, and then by the Mississippi River itself as we left the West and entered the East.








It was fun to see America's Heartland, a land of bounty, enough to feed the entire country and others as well. We stopped every three hours to "desquirrel," and enjoyed the contrast with Montana's high desert climate. I thoroughly loved Robert Palmer's Rhythm and Blues album, marveling at the sensuality it
exuded, a welcome diversion from the driving.
















As we left Kentucky, amazed by the civility and good manners of their drivers we entered Tennessee, whose drivers made 4 person Olympic bobsledders look cautious. The terrain of Tennessee is gorgeous, with beautiful valleys revealing themselves every few minutes. The amount of water we saw, in rivers, in lakes and in storms was amazing. In the Mountain West, where I have lived my life, 15 inches of rain is a wet year.


















As our destination neared, the air got heavier, and I noticed that my mountain bred lungs did not like the humidity. Georgia turned out to be a wonderful place to travel through, and the people were helpful in the gentile Southern tradition.








We made it to Orlando a day early, and our own graduate-to-be suggested we take the squirrels to Cocoa Beach to frolic in the surf. This beach was ideal for younglings, and we had to drag them away from the waves to get back to meet my wife's mother's plane.


The time we spent in Vero Beach, former LA Dodger spring training headquarters, was more anticipatory than expected, and the hotel pool became the new "desquirreling" center. PJ and Lola love the water. The day after we were at Cocoa Beach, a 7 year old boy was hospitalized after a shark took a chunk out of his leg. We again counted ourselves lucky.


The kids loved the time they got to spend with my wife's mother.














The actual graduation, a rite of passage that seems to grant the status of near adulthood, was mercifully short in the humid Florida morning. Ana, our graduate, was justifiably proud of herself. Her efforts to keep her grades high resulted in her self-esteem being strengthened. Ana, being the middle child of my three stepchildren, desired that her mom and dad's families be together during and after the graduation. We drove around 125 miles to the restaurant, for the graduation celebration dinner. Everyone was on their best behavior.








We left Florida the next morning on the drive back to Montana, this time through the Southern USA, with a stop for an afternoon and early evening in New Orleans. The girls went on a Muffaletta safari, and we couldn't turn it into a Beach Boys tune, even Surfin' Safari....














The beignets at Café du Monde were to die for. The Market was full of the stuff you'd see at a carnival. Overall, New Orleans is a Disney World for adults, and little ones and teenagers are not proper for the Vieux Carre. Still, there is the levee, and the joggers, cyclists, and artists, enjoying the Great River. For me, the levee is a place that I could spend a full day at, watching the river in it's great turn toward the sea.










The drive across Texas was long. I had made up my mind that the entire car full of family was going to visit Carlsbad Caverns National Park. We cleared Texas and spent the night in Carlsbad, and got to the Caverns early the next morning. We were advised by a ranger just before the Caverns entrance that we would be descending the equivalent of walking down the steps of an 80 story building. The ranger was more than right. My thighs were screaming by the time we made it to The Big Room, the largest single chamber in the Western Hemisphere. The hike was short, but the next day everyone's legs were screaming in pain.










We drove through the High Chihuahuan Desert 🌵, with New Mexico's state flower the yucca in bloom everywhere. Real roadrunners traversed in front of us. There was not a coyote to be seen.










We spent our final day in New Mexico. The contrasts between cutting edge science at Los Alamos National Laboratory and the earthiness of the Rio Grande Valley below was especially quite striking. The Dia del Muerto was here and my emotions were churning beyond my ability to control them. I had not been to our family graves since my mother's death in 2006.


I was determined to give Lola and PJ an idea of where I grew up. The entire group piled out of the car and helped me look for the headstones.








The last time I visited was to bury my mother. The cemetery at that time was bone dry without a blade of grass alive anywhere. This time, the grass was plentiful, and PJ and Lola enjoyed placing a small wreath between my parents graves. I was also glad to see that my mother had a lovely carved headstone. I introduced my little ones to the grandparents that they will only know by the stories I tell. I began to appreciate the oral stories of my Indigenous friends all the more, knowing they pass oral history to their kids the same way.








We drove the 1100 miles home. Montana never looked better. After 6600 miles, and a cross continent drive, I better understood the saying Dorothy utters in the Wizard of Oz film...there's no place like home. My mouth will not again complain about my bed at home. It never felt better than that first night after getting home. The real ringer is that we get to do it again next year when my last stepdaughter graduates! Oh yeah...my oldest stepdaughter will be married two weeks after we got back from Ana's 🎓 graduation. Someone call 📞 off the rites of passage!


















































Sunday, May 31, 2015

Peter Lacey's New Single by Peter Reum

Once again, Peter Lacey has shared his inner thoughts with his listeners. There is a right of passage that occurs when as adults, our parents die and we are left without their company or wisdom. The losses that happen are a sign pointing toward our own reckoning with death, and the mystery it engenders. Peter's Wayward Song, the first side of the new vinyl single he has released through Pink Hedgehog Records. This song is a farewell of sorts, the feelings that a survivor has after the initial disbelief and grief of loss have gone. The challenge presented to survivors is twofold. First, there is the summation of the feelings and experiences a parent has given through a lifelong association. Second, there is the sorting of the lessons learned from the relationship. It is often stated that parents teach us what to do and what not to do from our observations and association with them. Some of the traits we admire are traits we want to emulate. Some of them are traits that we did not like in our parents and do not want to repeat.

It appears to me that Peter's association with his dad entailed somewhat of a loving yet also emotionally guarded relationship. Dads have a hard time expressing love and other intimate feelings to their sons, and the pain of losing our dads often is related to the difficulty we have in sharing our true feelings with them, even up to the end of their lives. The most important relationship in forming masculine behavior is with our fathers, The grief we have revolves around the "woulda, coulda, shoulda" feelings we have upon our father's death.  The lesson Peter appears to be expressing here is don't wait too long to say what ever you want to say to your father. If he is emotionally distant, expressing your inner thoughts could move him to open his inner emotional life to us. Otherwise, he will die with love and other emotions unexpressed... a Song gone wayward.

The second side, Many Moons Ago, is a meditation upon a painting by a friend of Peter's. The painting depicts a tree with different circles and other shapes glistening under a full moon. The song is beautifully sung, and reminds me of some of Paul McCartney's best acoustic work, which I hope Peter will take as a compliment.  The song's gentle tenderness suggests an older man recalling the beauty of a newfound love that lasted, possibly in marriage. Peter has a full-time job just being a husband and father, and his loving lyrics show that the love has lasted through good times and bad. 

The painting entitled Many Moons Ago has a theme that to me resembles a family tree, with all of the generations represented in the boughs. Each generation loves, fights, wonders, dreams, and eventually has reminiscences. The wonder of life is that as humans we are both being and becoming. Our memories are somehow allowed to remain, forming our identity and personhood. The cells inside our body are completely replaced every three to four months.....yet somehow we view ourselves as being the same person day in and day out. The grief we experience is countered by the love we have been given and have returned in a lifelong cycle. The painful memories are coexistent with the lasting love that began with our parents and continues through our children.

The announcement regarding Peter's single has this quote from him directed to the listener of this single..."This song was born out of a number of losses in my world in 2013 (unlucky for some!). I had to say goodbye to my mum and dad and also to my job... Wayward Song is a conversation with myself. There's times when life throws a lot at you and it just seems too tough. But then, after a lot of talking to myself, I realized it all comes down to the fact you have to carry on. I don't think it's easy to imbue a song with sincerity. For me I feel I came close with this particular tune. I wonder if you agree?" 

My answer is yes, Peter, I do agree. I am the last person alive from my childhood family, and I have seen two wives die before me. The memories, good and bad, are what lives on, until I die and my children experience the same feeling we have talked about here. Grief is a universal human experience, and thank heaven we have it, because we would wither on the Tree of Life if we didn't allow ourselves these feelings.

Peter's single may be purchased from www.PINKHEDGEHOG.com. It is available as a digital download or a vinyl single.

Copyright 2015 by Peter Reum-All rights reserved


Sunday, May 24, 2015

From Yellowstone to Yosemite: Landscape Artists of the 19th Century American West III-Montana's Charles M. Russell-The Early Years by Peter Reum

Montana's Charles M. Russell by Peter Reum

Montana's history regarding Western Art always begins with a nod to the person who put Montana on the map for his studies of Indigenous Tribes, Cowboys, and most of all...the wide open landscape and wildlife of Montana. His paintings and drawings were born from personal experience on Montana cattle ranches, time spent with the Blood Division of the Blackfoot Tribe, and years spent observing everyday life in the wild country of Montana. While alive, Mr. Russell was considered the premier citizen of his adopted hometown, Great Falls, Montana, and his name appears throughout Northern Montana honoring his life and his work. The Museum which bears his name is the home of one of the largest single displays of his art, although his work may be found around the world. His prolific work produced over 4000 known paintings, bronzes, and drawings.


The Early Years-Charlie's Imagination is Fired

Mr. Russell's life began in St. Louis, Missouri in 1864. His early years were filled with an intense interest in some of the books and illustrated publications that circulated in the USA initially, then later drew interest in Europe, bringing many wealthy Europeans to the West to experience firsthand the wonder pictured and written about. Such periodicals lionized many men whose reputations grew as "winners of the West." Two with strong Montana and Wyoming ties were Colonel William F. (Buffalo Bill) Cody, and the infamous George Armstrong Custer, whose reputation was built fighting Indigenous Tribes in the West. Even at the beginning, in Missouri, Russell's imagination was engaged and his artistic drive spawned early drawings and sketches. Living near the Gate to the West, St. Louis, Russell was a firsthand observer of numerous fortune seekers and explorers who passed through St. Louis on their way west. The California Gold Rush, The Pony Express,  the Santa Fe Trail, the Powell Expedition, the Lewis and Clark Expedition, and countless other ventures saw their beginnings in Missouri or near St. Louis.



General George Armstrong Custer


Colonel William F. (Buffalo Bill) Cody

Mr. Russell's family was relatively prosperous, and his Grandmother, Lucy Bent was related to William Bent who founded Bent's Trading Fort in Southeastern Colorado at the confluence of the Purgatoire and Arkansas Rivers along the recently established Santa Fe Trail. Charles Bent, instrumental in the establishment of the Santa Fe Trail, was later married to a Spanish/Mexican woman in New Mexico in Taos. Charles bent was named the first New Mexico Territorial  Governor in 1846 during the Mexican War. Brother William married a Cheyenne woman who had sons Charles and George, who fought as Confederates in the Civil War, and later became Cheyenne warriors fighting the U.S. Cavalry in the Sand Creek Massacre aftermath in 1864 (Taliaferro, 1996-pp14-17).





The Santa Fe Trail With Indigenous Homelands Noted
(Map by visitlajunta.com)

There was an expectation that upon becoming a grown man, Charles Marion Russell would join his family's Oak Hill, Missouri business. Founded by Charlie Russell's grandfather, James Russell, he and Lucy Bent Russell had Charles Silas Russell, Charlie Russell's father, along with siblings Julia,John, and Russella.  The family's Oak Hill property gave young Charles Marion Russell the chance to engage in elements of the frontier lifestyle that was disappearing even as he was becoming aware of it. All of Charlie's aunts and his uncle lived on the Oak Hill property and young Charlie had the run of the property. Charles Silas Russell married Charlie's mother, Mary Elizabeth Mead in 1858. Charlie was born in 1864 in St. Louis, the third of six surviving children. The family moved from St. Louis to Oak Hill when Charlie was 5, in 1869. To hear Charlie Russell tell his history, one would have reckoned that he was raised on the fringe of the wild. In fact by the time Charlie and his family moved to Oak Hill, the property had been incorporated into the city of St. Louis.

Charlie Russell's imagination was captured early in life by the pulp serials glorifying the conquering of the West, with Manifest Destiny pushing settlers ever westward, impinging upon the lands of dozens of Indigenous Peoples. Perhaps due to his own dysgraphia, Charlie saw himself as lacking in formal studies in school, although he read voraciously. Street and Smith, later publishers of the famous baseball annual, and Beadle and Adams published endless streams of serial Westerns which fired Charlie's imagination. The novels of James Fenimore Cooper added further fire to Charlie's vivid desire to "Go West, young man!" (Taliaferro, 1996-pp. 20-22)




Beadle and Adams Buffalo Bill Dime Novel
Courtesy National Cowboy Museum


Street and Smith Buffalo Bill Dime Novel
Courtesy University of Missouri Library





 

Beadles and Adams-Dime Novel Publishers

Charles Marion Russell went deeply into the mythical picture painted in words by a number of authors, and his ideas about the West were beginning to gel before he ever left St. Louis. His dysgraphia led to a hardship expressing his ideas in writing, and his experiences in school led to clowning around and truancy. His parents were confounded by his writing issues, and to their credit, recognized Charlie's fondness for drawing and encouraged him even exposing him to several of the artist's works who passed through or lived in or near St. Louis. Painter Karl F. Wimar, whose works were popular among the well to do in St. Louis, was the major early influence upon Charlie Russell, who especially admired his realistic portrayals of Western Life, especially Indigenous People and wildlife. Although his parents wanted him formally trained in art, Charles Marion Russell's formal art training consisted of 2 or 3 days of art training at Washington University. A three month enrollment in a military school was a dismal experience despite Charles Silas Russell's hope ghat his son would flourish in a more disciplined environment. In fact, the experience only solidified Charlie Russell's determination to head West, and shortly after getting back to St. Louis from the term in military school, he set out for Montana a few days short of his sixteenth birthday (Taliaferro, 1996-pp. 25-27).


The Weak Never Started-Karl F. Wimar 1858
University of Texas Art Museum


Attack Upon An Emigrant Train-Karl F. Wimar 1859

Next-The Cowboy Artist-Charles Russell's Early Years in Montana










Monday, April 27, 2015

An Exhausted River-The Rio Grande From Headwaters to Mouth by Peter Reum

In the Southwestern United States, the rivers that run through that region are vital life-ways and the key to economic prosperity and ongoing survival. The Colorado River is often cited as the most endangered river in the Southwest, and there is no doubt that it's flow is exhausted long before it reaches The Gulf of California in Mexico. The cities of Las Vegas, Phoenix, Los Angeles, and countless smaller cities depend on the Colorado.



Summit of Stony Pass 4 Wheel Drive Road - Colorado


Growing up in Northern New Mexico, I spent countless hours near, in, and on the banks of the Rio Grande. The river has its beginning at Colorado's  Stony Pass, nearly 14,000 feet above sea level.  It is a clear, sparkling stream, yet even a few miles from it's headwaters, the abuse of the river has already begun. Over a dozen environmental organizations are unified in their efforts to rescue the Rio Grande from becoming a dead river. The World Wildlife Fund has declared The Rio Grande to be one of the planet's 10 Most Endangered Rivers. To quote the essay on the imperiled Rio Grande published by Wild Earth Guardians, one of the organizations working to rehabilitate the river:

"Today this Great River is in dire straights, primarily because there are too many demands—agricultural, municipal and industrial—tapping its limited supplies. In addition to water diversions and ground water pumping, pollution, development and habitat destruction are threatening the Rio Grande and its bosque. As a result, many of the more than 400 species of fish and wildlife that depend on the river - including the Rio Grande silvery minnow - are in danger of extinction."



The Grenadier Range - Near Stony Pass Colorado


The Rio Grande is the primary source of water for the San Luis Valley of Colorado, a sparsely populated area sustained by agriculture. The Rio Grande Reservoir stops the Rio's flow some 12 miles from the headwaters to provide water to the San Luis Valley's agricultural needs. In Northern New Mexico, the Rio flows through a vast and beautiful National Wild and Scenic River Area as well as a National Monument recently designated as such by President Obama. The river is crossed by only one bridge over the spectacular Rio Grande Gorge, known to Taosenos and Northern New Mexicans as "The Box." As it passes out of the Gorge at Velarde, New Mexico, it again serves a large valley, the Espanola Valley, as well as several tribes of Indigenous people in small towns called "pueblos."



The Rio Grande Gorge-Rio Grande Wild River National Recreation Area -New Mexico


According to the WildEarth Guardians, agricultural interests in the San Luis Valley and in the State of New Mexico use 80% of the flow of the Upper and Middle Rio Grande regions. These two regions encompass the San Luis Valley in Colorado and all of the river's flow in New Mexico. A recent draft plan by the State of Colorado proposes further restriction of the Rio Grande's flow above the New Mexico/Colorado border. This step is noted by WildEarth Guardians as being a large impediment to the preservtion of the Rio Grande as a National Wild and Scenic River in Northern New Mexico, and potentially injurious to several species in the river's riparian habitat.  A letter dated March 31, 2015 from 11 New Mexico organizations to Senator Udall of New Mexico requests increased funding in the Bureau of Land Management 2016 Budget to complete a full analysis of the proposed Colorado Plan to determine it's effect on the flow of an already over-allocated Rio Grande. Also diverting the Rio Grande's flow is the urban water use by a number of communities. There are also large cities like Albuquerque, New Mexico, El Paso, Texas, and Ciudad Juarez, Mexico. These competing interests have, at times, completely dried up the flow of the Rio Grande, killing wildlife in and around the river. Over 400 different species depend upon the river to keep them alive. Perhaps the most debated species is the Rio Grande Minnow. This tiny fish has been the subject of extensive negotiation and litigation for the last two decades. Agricultural interests term the minnow the "spotted owl of the Southwest."



The Endangered Rio Grande Silvery Minnow

What goes without saying for anyone who treasures the wildlife of Southern Colorado, New Mexico, Northeast Mexico, and West Texas is that wildlife over the nearly 1900 mile length of the Rio Grande need someone to speak for their interests. That so many organizations involved with the environment and wildlife have stepped forward to do their part to save the river is a tribute to the numerous and diverse array of fish, birds, mammals, reptiles, amphibians, and insects that live around, over, and in The Rio Grande. The importance of the river to New Mexico is staggering. That state has the lowest percentage of surface water of all fifty states. The Rio Grande and it's main tributary, the Rio Pecos, are the main waterways on the Eastern side of the Great Divide, which runs through the whole state, north to south. Like Northern Colorado, water is diverted from the Western Slope of the Great Divide into Northern New Mexico by long diversion tunnels under the Divide. 

Goals of most of the environmental organizations at times converge with the urban and agricultural interest Rio Grande water users, but the role of agent of change primarily rests with the environmental organizations. The agenda of the various environmental organizations, according to WildEarth Guardians is:

1) Securing a constant flow of water in the Rio Grande's course from Colorado to the Gulf of Mexico, Such flow should use the natural hydrographic characteristics as much as possible, letting the river flow freely within the floodway of the river. Natural erosion and redepositing of alluvial patterns within the river's flow patterns should be encouraged. Where wetlands exist along the river, bosque (cottonwood) and other trees should be protected or replanted;

2) Advocating for the survival and replenishment of endangered species, both designated and  not yet designated;

3) Establishing new paradigms of water  use in urban areas through public and civic education, thereby connecting citizens' commitments to water conservation and wildlife habitat;

4) Development of a new model of agricultural water use, including less water use for irrigating low priced crops such as hay or alfalfa, and pricing water at a more realistic price closer to it's actual value, and rewarding farms that develop water saving methods or abstain from overusing river water;

5) Encouraging the interests in the Federal Government to develop a comprehensive strategy that ends the competing purposes of agencies such as The Bureau of Reclamation and The United States Fish and Wildlife Service. The riparian ecology should be as continuous as possible, with as minimal disruption of ecosystems as possible. Riparian vegetation with indigenous species should be protected, extended, and enhanced. Foreign and non-native vegetation should be kept from invasive establishment;

Because so much of the Rio Grande's watercourse  flows through wild, sparsely populated country, there is a tendency for some people to doubt the severity of the river's ecological circumstances. The combination of overuse, Climate Change, and severe drought has ravaged the Rio Grande. The average temperature of the Southern Colorado and New Mexico areas through which the Rio Grande flows has risen 2.8 degrees over the past 40 years, and could raise another 4 to 6 degrees by 2100, according to New York Times journalist Michael Winesapril, in a story in the April 12, 2015 edition of the Times. In the same article, Winesapril covers the ongoing battle  over Rio Grande water between Colorado, New Mexico, and Texas under an agreement called the 1938 Rio Grande Compact. The essence of the conflict comes down to upriver Colorado not living up to giving New Mexico the agreed portion from the 1938 Compact, and then New Mexico not being able to give Texas their agreed share of the water as specified in the Compact.  As Mr. Winesapril states so succintly in his Times article:

"An untamed, flash-flooding home to sturgeon and eels a century ago, much of the Rio Grande today is little more than a magnificently engineered pipe — diverted, straightened, dammed, bled by canals, linked by tunnel to the Colorado River basin in the north, surrendering its last trickle in the south to a ditch that supplies farmers near El Paso. Only miles later do Mexican tributaries renew its journey to the gulf. Its raison d’être is to sustain the booming society along its banks."

The ingenuity of large municipalities in reducing their water consumption, especially Santa Fe, Albuquerque, and El Paso, has counteracted some of the deleterious effects of 40 percent less snowfall in the mountains of Colorado and New Mexico in the last 15 years, when compared with the last 20 years of the 20th century. Albuquerque has won several awards for reduced water consumption, and accord to Mr. Winesapril's article, El Paso is developing several projects to increase available drinking water in the near future. Despite the various municipalities and their water conservation, the states of Texas and New Mexico are legally fighting over the Rio Grande... Texas/New Mexico Rio Grande "Rumble"  The condition of the Rio Grande in 2013, when the drought was not as severe as it currently is, is shown in a video taken by a fishing guide at the Radium Springs Bridge just below Elephant Butte Reservoir and Caballo Lake in Southern New Mexico. The text under the video informs the viewer that the Rio Grande would only be a small trickle if not for this release of water which lasted for 6 weeks that year...  Annual release of water for 6 weeks into Rio Grande in Southern New Mexico  

The State of Colorado also has alleged that Mexico has not lived up to the commitments it has under the International Boundary and Water Commission Treaty. The State of Texas has divided The Rio Grande into several sections for administration of water rights. The International Boundary and Water Commission has been the bilateral organization for allocating the waters of the Rio Grande and its various tributaries from El Paso/Ciudad Juarez all the way to the Gulf of Mexico for the last 75 years. Beginning in 1848 with the Treaty of Guadalupe Hidalgo, then the Gadsden Treaty of 1853, with a further treaty in 1882, and the 1889 establishment of the International Boundaries and Water Commission, with the first international water allocation agreement being done in 1906. Other treaties were done in 1933, 1944, the Chamizal Agreement of 1963, and in 1970. The 1906 Agreement allocated 60,000 acre-feet of Rio Grande flow into the Acequia Madre just above Ciudad Juarez. The Agreement covered the section of the Rio Grande from El Paso to Fort Quitman, Texas, an 89 mile distance.

The 1933 Convention Treaty covered the management of the Rio Grande through the El Paso/Ciudad Juarez region, by straightening the river and placing it between concrete embankments for most of the valley, rough;y 155 miles. In 1944, the International Boundary and Water Commission (IBWC) developed a second water distribution treaty, covering the remainder of the Rio Grande's flow from Fort Quitman, Texas to the Gulf of Mexico. This treaty committed both countries to resolving issues that would arise through the IBWC. The 1944 Treaty also establishes the IBWC as an international organization with U.S. and Mexican sections, headed by Engineer Commissioners for each country. The allocation of the Rio Grande's flow, along with specified tributaries were allocated as:

"Of the waters of the Rio Grande, the Treaty allocates to Mexico: (1) all of the waters reaching the main channel of the Rio Grande from the San Juan and Alamo Rivers, including the return flows from the lands irrigated from those two rivers; (2) two-thirds of the flow in the main channel of the Rio Grande from the measured Conchos, San Diego, San Rodrigo, Escondido and Salado Rivers, and the Las Vacas Arroyo, subject to certain provisions; and (3) one-half of all other flows occurring in the main channel of the Rio Grande downstream from Fort Quitman.  The Treaty allots to the United States: (1) all of the waters reaching the main channel of the Rio Grande from the Pecos and Devils Rivers, Goodenough Spring and Alamito, Terlingua, San Felipe and Pinto Creeks; (2) one-third of the flow reaching the main channel of the river from the six named measured tributaries from Mexico and provides that this third shall not be less, as an average amount in cycles of five consecutive years, than 350,000 acre-feet annually; and (3) one-half of all other flows occurring in the main channel of the Rio Grande downstream from Fort Quitman." (Recovery.gov website, United States Section of International Boundary and Water Commission Section)

Even a cursory reading of the history of the allocation of the flow of the Rio Grande and it's tributaries reveals a history of conflict and mutual blame of various parties to the Rio Grande Compact of 1938, consisting of Colorado, New Mexico, and Texas, and the U.S. and Mexico as managed under the IBWC. Historically, New Mexico blamed Colorado's overuse of water for New Mexico's inability to meet the agreed water allotment to Texas under the Rio Grande Compact. As recently as late 2014 and early 2015, Colorado was blaming Mexico for failing to meet the amount allotted to Texas by IBWC treaty obligations. The overuse of the river's flow, as stated above in this article, has been aggravated by climate change and severe drought throughout the Southwestern United States and Northeastern Mexico. 

The problem of sewage treatment further complicated the Rio Grande's ability to support native species south of Albuquerque and El Paso/Ciudad Juarez.  Other municipalities on both sides of the Rio Grande have struggled to discharge clean water into the Rio Grande despite agreement of the two countries, predominantly due to the population growth on both sides of the river, and the rights of agricultural water users predating the rights of municipalities. As municipal demands for water increase up and down the length of the Rio Grande, agricultural interests are increasingly having to go to court to protect their interests, especially in the Lower Rio Grande Valley. The wild Rio Grande south of El Paso/Ciudad Juarez is highlighted by the Big Bend Region, including Big Bend National Park in Texas. Prior to Big Bend, the Rio Pecos meets the Rio Grande. The Rio Pecos has it's source in the Sangre de Cristo Mountains of New Mexico, and flows south through the Pecos Valley in New Mexico and West Texas.

As the Rio Grande flows south of El Paso/Ciudad Juarez, the so-called Trans Pecos region is dominant, lying between the Pecos and Rio Grande. The only major town in Texas is Presidio. Also notable is Terlingua, which was immortalized by Texas troubador Jerry Jeff Walker. The Chihuahua Desert, the largest in North America, dominates the landscape of this dry and dusty part of Texas, with three National Parks within the Rio Pecos/Rio Grande drainage area. In New Mexico, the breathtaking Carlsbad Caverns National Park preserves a number of the largest and best preserved caverns in the world, including Lechuguilla Cave, a wilderness area underground. Texas's highest point, Guadalupe Peak, is the centerpiece of spectacular Guadalupe Mountains National Park.


Lechuguilla Cave - Carlsbad Caverns National Park, New Mexico


Guadalupe Peak - Highest Point in Texas

Before the Rio Grande enters the magnificent Big Bend Region, the primary tributary of the Rio Grande enters the river. The Rio Conchos replenishes the flow of the Rio Grande, making river running possible in Big Bend.  The Rio Conchos rises in the Sierra Madre Occidental, with the river being a major source of agricultural water use for much of the State of Chihuahua in Mexico. Over 90% of the water in the Rio Conchos is allocated for agriculture. The cities of Chihuahua, Hidalgo de Parral, and Delicias, as well as several smaller towns, are major users of Rio Conchos water. The projections of water use for the years 2020 and beyond leave large questions as to whether there will be enough water to maintain the flow of the Rio Conchos into the Rio Grande. A 2004 article by Arias, Wood, and Alanis in a book entitled Development and Application of Computer Techniques to Environmental Studies X indicated that heavy metals and other toxic elements were present...  

"Water samples at Ojinaga (mouth of the Rio Conchos), in the Rio Florido and in the Rio Parral exceeded the Maximum Permissible Levels with respect to turbidity. Total Dissolved Solids were highest in the Ojinaga and Rio Florido samples, exceeding the maximum permissible limit. The pH varied from 7.71 in Ojinaga to 9.47 in Rio Florido. The most contaminated point was Ojinaga.  Helminto, Cryptosporidium, and Giardia eggs were not detected in any sample, but total coliform and fecal coliform were present in all samples." 

The prospects for a relatively clean Rio Grande in Big Bend and below depend on the overall health of the Rio Conchos. The Rio Grande north of the confluence with the Rio Conchas is often dry, and the environmental forecast for the Rio Conchas is murky at best. A study of the Rio Conchas reflects only a few species of fish thriving in that river, and 4 species either endangered or compromised. The Rio Grande itself has historically had 47 species of fish identified, of which only 6 were found as of 2008. The Lower Rio Grande Valley is very dependent upon the flow of the Rio Conchos, and the population of the Rio Conchos Basin is expected to grow from 1.4 million people in 2010 to 2.7 million in the year 2050.


Rio Conchos Valley - Chihuahua, Mexico


Rio Conchos Basin -Estado Chihuahua, Mexico

Along the Rio Grande, abutted by the Davis and Chisos Mountains, is the Big Bend. Big Bend National Park in Texas is an area preserved in nearly pristine high desert wilderness. Two roads within Big Bend National Park offer access to the Rio Grande, at Castolon and Rio Grande Park Village. The Rio Grande has cut 3 spectacular canyons in the Park, Santa Elena, Mariscal, and Boquillas Canyons. River running is available here, and a highlight of Santa Elena is the Hot Spring, which historically has been used by Indigenous People and regional settlers and visitors for countless generations. The entire 69 miles of the Rio Grande in the Big Bend area of the canyons has been designated as the second area on the Rio Grande that is a National Wild and Scenic River. In addition, 137 miles of  the Rio Grande below Big Bend, often called the Lower Canyons, is also part of the 196 mile National Wild and Scenic River in Texas.  Speaking of the Rio Grande in Big Bend, Supreme Court Justice William O.  Douglas said... 

"I always leave the Rio Grande reluctantly. The swiftness of the rapids, the beauty of the canyon walls, the solitude of the chasm are too quickly passed. The urge is to return again and again in order to have a more intimate look, to explore the high caves, to search out the wealth of agates and fossils that these canyons reveal. It is hostile country in a sense, not even the water being safe to drink. The bushes mostly have spines; the walls are precipitous; the rocks are either dangerously brittle or dangerously sharp.... But the call of adventure is strong, and those who run these canyons once will return, drawn by the twin magnets of beauty and danger."  

The Rio Grande south of Big Bend enters a varied landscape which is highlighted by the Lower Canyons. The Reagan Canyon and San Francisco Canyon areas are designated as Wild and Scenic, with the remainder of the  area being Scenic, but not Wild. 


The "Tight Squeeze" in Boquillas Canyon - Big Bend National Park




Magnificent Santa Elena Canyon- Big Bend National Park



Boquillas Canyon - Big Bend National Park

In the Lower Canyons, there is a first class river trip for canoes from La Linda, Mexico to Dryden Crossing, Texas. Cliffs rise from 500 to 1500 feet above the Rio Grande. The trip is a multi day excursion, and there are no amenities available. This 83.5 mile section of the Rio Grande is called the Lower Canyons, and the U.S. side of the river is abutted by the Black Gap Wildlife Management Area. The drop in elevation is 450 feet over the course of the trip. and is relatively gentle.

  

Silber Canyon Rapid Lower Canyons -Rio Grande in Texas
Photo by Tom McGrath 2014


Panther Canyon Rapid - Rio Grande in Texas
Photo by Tom McGrath 2014

Below the Lower Canyons, the Rio Grande has expended 12,000 vertical feet from it's source in Stony Pass, Colorado. Now at roughly 1100 feet, the river gradually enters what is called the Lower Rio Grande Valley. This area is relatively highly populated, and the river's water is the main source for agricultural and municipal water use in the region.  In Langtry, Judge Roy Bean, the "Law West of the Pecos," presided. Langtry is a small town that is the first small village after the Lower Canyons. The Amistad Dam is located near Del Rio, Texas and Ciudad Acuna, Mexico. The resulting Amistad Reservoir backs the Rio Grande up to Langtry.

The Rio Pecos is the 16th longest river in the U.S., and rises in the Pecos Wilderness of New Mexico, surrounded by mountains topping 13,000 feet in elevation. The Rio begins at Pecos Falls, and flows through sparsely populated country, albeit with several reservoirs and diversions for agricultural use and also smaller cities, the largest of which is Roswell, New Mexico. The flow of the Rio Pecos, like the Rio Grande, is interrupted during it's course, with dry stretches frequent.


Pecos Falls, New Mexico


Rio Pecos - Pecos Wilderness, New Mexico

The final miles of the Rio Pecos at the confluence with The Rio Grande are a part of Amistad Dam and Reservoir, completed in 1969 and having hydroelectric capability as well. The primary purpose of Amistad was water conservation and flood control. The Amistad Reservoir offers some recreation.
The international boundary runs through the center of the Dam.


Informational Slide on Amistad Dam and Reservoir-Rio Grande  Texas and Mexico

The Rio Grande slowly makes a transition from canyon topography toward sub-tropical climate conditions as it flows through Del Rio, Texas to Eagle Pass, Texas. The river is still quite suitable for rafting and canoeing in this section, and people recreate on the river regularly. From Eagle Pass to Laredo, the river flows for 125 miles, and many rafters float the distance to Falcon Lake (Reservoir). Laredo is a principal international border crossing into Nuevo Laredo, Mexico, which is a larger city. The condition of the Rio Grande environmentally is compromised in this section... 

"Historically, this reach of the Rio Grande has had very low quality water, but in recent years much has been done to remedy that situation. BECC (the Border Environment Cooperation Commission), based in Juarez, and NADBank (the North American Development Bank), based in San Antonio, design and finance environmental infrastructure for the Border. Joint U.S. - Mexican financing has built billions of dollars of wastewater infrastructure in virtually every city along the Rio Grande. Raw sewage discharges have been reduced dramatically. Hot spots remain at some of the larger cities (Nuevo Laredo most notably), but the vast majority of the Rio Grande is bacteriologically safe..." from southwestpaddler.com, Eagle Pass to Laredo webpage

In Laredo, the conditions of the Rio Grande are particularly vulnerable to pollution, and the wildlife is diversified. Conditions are changing into a more highly agricultural area, with municipalities becoming far more frequent along both banks of the river. Mexico has made a concerted effort to upgrade the processing of wastewater from cities on that side of the Rio Grande. Because the major source of drinking water is the river itself, it is in the interests of both countries to keep the river clean.  Falcon Dam is located at Roma, Texas, between Laredo and Rio Grande City, Texas, with the reservoir backing up the river toward Laredo. The reservoir is a major source of irrigation water for the farms further down the Rio Grande Valley.  There were a number of towns flooded by Falcon Lake, most notably Zapata.


Falcon Dam and Reservoir - Texas and Mexico, Lower Rio Grande Valley

Below Falcon Dam, the Lower Rio Grande Valley becomes the subtropical passage of the Rio Grande until it reaches it's mouth in the Gulf of Mexico. From Rio Grande City to the river's mouth, the river's flow is used for farming and municipal water consumption.  The Lower Valley is a major center of growing citrus fruit, watermelons, and other crops that need an extended growing season. The area is also a center of so-called snowbirds, who have retired and moved from harsher climates into the Lower Rio Grande Valley. The area is a major cultural center for Mexican-Americans, and colleges in the Valley enable Mexican-Americans to move into a variety of high paying occupations. The reduction of the river's flow in the last 100 years may be apprehended by the sign below commemorating the Rio Grande Ferries that could once go upriver...


Historical Plaque Highlighting the Rio Grande Ferries


You know you are in the tropics when the Rio Grande has gators


The Rio Grande between Brownsville and the Gulf of Mexico

The Rio Grande only reaches the Gulf of Mexico only in robust years of rain.  The river is a shadow of it's former self. Like the Colorado, the Rio only flows to the Gulf when river managers decide to allow it. Some years, the Rio flows through the sand to the Gulf, and some years it does not. 


Looks like that year, it made the Gulf of Mexico but....


That year it didn't.

Projections for the future use of the Rio Grande only get more heavy. The river is exhausted, a river caught between conflicting interests and two countries. The future of Western International rivers like the Rio Grande and Colorado rests with people who care enough to respect the rivers and what they realistically can do. The World Wildlife Fund has named the Rio Grande one of the planet's 10 Most Endangered Rivers. Here is a link to their page: World's 10 Most At-Risk Rivers - Rio Grande/Rio Bravo  Make the Rio Grande a river again, one that the world can be proud of....one your grandchildren can admire.